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MGM Studios DVD presents
A Midsummer Night's Sex Comedy (1982)

"Marriage is the death of hope."
- Maxwell (Tony Roberts)

Review By: Joel Cunningham   
Published: October 22, 2001

Stars: Woody Allen, Mia Farrow
Other Stars: Jose Ferrer, Julie Hagerty, Tony Roberts, Mary Steenburgen
Director: Woody Allen

Manufacturer: WAMO
MPAA Rating: PG for (sexual situations)
Run Time: 01h:27m:48s
Release Date: November 06, 2001
UPC: 027616860460
Genre: comedy


Style
Grade
Substance
Grade
Image Transfer
Grade
Audio Transfer
Grade
Extras
Grade
B C+BB D-

DVD Review

One of the few Woody Allen films that doesn't take place in New York, and one of the few in which Allen is not the central character, A Midsummer Night's Sex Comedy is Allen's homage to the comedies of Shakespeare, Renoir, and Bergman. The name is no mere contrivanceˇstructurally, the film is very similar to A Midsummer Night's Dream, full of mistaken identity and secret liaisons. Unfortunately, Allen's attempt to create a lighthearted, literary comedy falls somewhat flat. It has clever dialogue, and some quirky characters, but it isn't very memorable, or very funny for that matter.

Andrew (Allen) and Adrian (Steenburgen) are a couple living in the country around the turn of the century. Recently, they have been having some marital problems, especially in the bedroom. When an old flame of Andrew's, Ariel (Farrow), arrives unexpected for a visit, along with her much older fianc╚ Leopold (Ferrer), the two reevaluate their past decisions, questioning what might have been. Meanwhile, Leopold is lusting after Dulcy (Hagerty), a "modern" nurse visiting with boyfriend Maxwell (Roberts), who, it turns out, is also quite smitten with Ariel. The six spend the weekend swapping partners and philosophical discussion, and attempt to discover the true meaning of love, and the place of sex in a relationship.

The characters are eccentric enoughˇAllen a madcap inventor, Maxwell a doctor better at bedding patients than curing themˇand would fit well into an energetic farce (as the title suggests). Somewhat jarring, then, is the downright leisurely pace. Allen's usually rapid-fire dialogue seems more measured than usual, and even the broader scenes of physical comedy seem to drag a bit. The picture is only 86 minutes long, but even with Allen's trademarked brevity, it feels slow and somewhat labored.

Also unsatisfying is Allen's attempt to raise the featherweight comedy to greater intellectual heights with the inclusion of a bunch of gobbledygook about the nature of reality and the afterlife. Allen's character invents a device that channels energy and reveals, supposedly, the metaphysical world, but the several heated debates on the subject never seem to go anywhere, and Allen's invention, in the end, seems only to be a cheap plot device. The ending is also rather unsatisfying, and, dare I say it, trite, especially considering the attempts at intelligent discourse earlier in the film.

On the positive side, the cast is very strong, full of Allen regulars like Farrow and Roberts. All play their parts well, and each fits well into the period atmosphere. Likewise, the cinematography from Gordon Willis is wonderful. He captures the beauty of nature with the same practiced eye that captured the elegance of New York in Allen's Manhattan.

It's hard to totally write off a Woody Allen film, and this one does indeed have its strong points, but it certainly doesn't stand out in the director's impressive resume. It's perhaps the weakest of the films in the third Allen box set from MGM, and recommended to completists only.

Rating for Style: B
Rating for Substance: C+

 

Image Transfer

 One
Aspect Ratio1.85:1 - Widescreen
Original Aspect Ratioyes
Anamorphicyes


Image Transfer Review: Cinematographer Gordon Willis's wonderful outdoor photography translates well to DVD. Often, complex backgrounds like forests can show excessive artifacting, but such is not the case here. Colors look natural and saturated, though in indoor scenes, fleshtones do tend towards an unnatural orange. There are some minor scratches here and there on the print, but no excessive film grain. Blacks are solid enough, but shadow detail is a bit lacking, making some of the darker scenes a bit difficult to make out. Still, this is a nice looking transfer overall.

Image Transfer Grade: B

 

Audio Transfer

 LanguageRemote Access
MonoEnglishno


Audio Transfer Review: For a mono track, this sounds pretty good. For the most part, dialogue is well supported and clear, except for several scenes with overlapping speechˇhere, dialogue sounds rather flat and unnatural. Instances of ADR weren't too obvious, but several are apparent. The wonderful Mendelssohn score sounds good, however, with good dynamic range.

Audio Transfer Grade: B

 

Disc Extras

Static menu
Scene Access with 16 cues and remote access
Subtitles/Captions in English, Spanish, French with remote access
1 Original Trailer(s)
Packaging: Amaray
Picture Disc
1 Disc
1-Sided disc(s)
Layers: single

Extras Review: Per Allen's wish that his films be allowed to speak for themselves, the only extra offered is a theatrical trailer, along with subtitles in English, Spanish, and French.

Extras Grade: D-

 

Final Comments

The liner notes indicate that Allen wrote A Midsummer Night's Sex Comedy during a bit of downtime as he was waiting to film Zelig. The script took him two weeks to write. And while it does feature eccentric characters and situations, and some of Allen's trademarked wit, the picture falls flat. Allen is at his best when his work has something to say (even if it is said through broad satire). This one simply feels a bit empty.

 


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