the review site with a difference since 1999
Jennifer Esposito Is Your Newest NCIS Agent in Season 1...
Critics Are Split on Ghostbusters Reboot ...
'Respect is key': The Game, Snoop Dogg lead march to LA...
Kristen Stewart's Sheer Dress At 'Equals' Premiere -- S...
"A Slow Slipping Away"-- Kris Kristofferson's Long-Undi...
Fox News' Roger Ailes Sued for Sexual Harassment by Ous...
Garrison Keillor Retires from 'Prairie Home Companion' ...
Jennifer Aniston is Pregnant: Star Steps Out in Loose D...
Hiddleswift Is One Big Song Promotion -- A Theory...
Elvis Presley's daughter Lisa Marie Presley files for ...
Universal Studios Home Video presents
"If there's going to be any hysterics here, I'll have them."
DVD ReviewThe Ghost Breakers is generally considered to be the best of the Bob Hope vehicles. Teamed with the charming Paulette Goddard, Hope manages get some laughs here, despite a thoroughly predictable script.
Radio commentator Larry Lawrence (Hope) is implicated in a murder that he didn't commit, and he hides in the steamer trunk of Mary Carter (Goddard). What he doesn't know is that she and the trunk are bound for Cuba, where she has inherited a haunted castle, Castillo Maldito. Mysterious offers to purchase the castle are followed in quick succession by threatening letters and voodoo curses. It's up to Hope and his long-suffering manservant Alex (Willie Best) to unmask the ghosts before they end up as zombies themselves.
There are quite a few laughs in this picture, but they tend to be rather dated. The best gags require knowledge of Sally Rand and acquaintance with the fact that Vassar was once a women's college. Knowing who the heck H.V. Kaltenborn was wouldn't hurt either. Most viewers today are going to just be mystified by many of these gags, which is a pity, but such is the nature of comedy. Hope's timing is impeccable, and as usual he is the butt of many of the gags. Many of the best lines go to the rest of the cast.
Goddard makes for a highly appealing heroine, and a very young Anthony Quinn makes an appearance as the murder victim and his twin brother. The main problem is that the story was old and creaky even back in the 1940s; it had already been made into silent films twice by Paramount. The script takes far too long to get to the haunted house and once it gets there doesn't have the energy of the many 3 Stooges shorts that use similar conceits. The picture is notable as one of the earlier pictures to take the notion of zombies quite seriously, and definitely the first mainstream film to do so. Noble Johnson plays the principal zombie, and he does make for a quite terrifying figure, lending the picture what little frightening quality it does have.
The Ghost Breakers was made in less sensitive times, and the depictions of the black characters, notably Alex, suffer from stereotypically exaggerated reactions. It's not as offensive as many relics from this period, but some caution is in order for younger or more sensitive viewers.
Rating for Style: B
Rating for Substance: C
Image Transfer Review: The full-frame transfer looks pretty good overall. The black levels are fairly deep, and there is quite good detail. Grain is fairly heavy, however, and the first reel suffers from quite heavy speckling. Farther in, however, the picture is practically pristine. The grayscale has a quite nice large range, making the black and white picture quite attractive overall. The moody photography comes across nicely.
Image Transfer Grade: B
Audio Transfer Review: The 2.0 English mono is plagued by significant hiss and crackling throughout. The dialogue comes through most of the time, though Tom Dugan as 'Raspy' Smith can be difficult to understand. The music sounds decent for 1940s era recording.
Audio Transfer Grade: C+
Disc ExtrasStatic menu with music
Scene Access with 18 cues and remote access
Subtitles/Captions in English, French, Spanish with remote access
Cast and Crew Biographies
Cast and Crew Filmographies
1 Original Trailer(s)
Layers Switch: 00h:58m:14s
On a more generic level, a featurette (5m:30s) on Hope's career entertaining the troops is included; this contains a fair amount of vintage footage, plus recent interview material with Phyllis Diller. A Command Performance short that's been cut to ribbons basically just shows us the segments where Hope introduces the stars (Betty Hutton, Lana Turner and Judy Garland) and trims out their performances almost entirely. Finally, a two-reel short from the closing days of World War II, featuring Hope and many of the biggest Hollywood stars, is the final extra. While this is interesting for purposes of seeing the stars out of character, and for its historical significance, it doesn't have much in the way of entertainment value.
Extras Grade: C+
Final CommentsAn okay horror-comedy, with some good moments. The strengths are the leads, who do a fine job with the material. The transfer is acceptable, but don't expect a crisp restoration. A few decent extras are also in the mix.
|Become a Reviewer | Search | Review Vault | Reviewers
Readers | Webmasters | Privacy | Contact