The Conversation and The Godfather: Part II, it's no wonder that Lenny failed to walk away with any awards. But Fosse's film is still as striking and funny as it ever was, and as bleak; an uncompromising testament to an artist willing to sacrifice himself to his craft.">
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Buy from Amazon

Buy from Amazon.com

MGM Studios DVD presents
Lenny (1974)

Lenny: You gotta meet Aunt Mema. I'll get her to do her famous "feh" for you.
Honey: "Feh?" What's that?
Lenny: Her impression of a Jewish seagull.

- Dustin Hoffman, Valerie Perrine

Review By: Joel Cunningham   
Published: April 08, 2002

Stars: Dustin Hoffman, Valerie Perrine
Other Stars: Jan Miner, Stanley Beck, Rashel Novikoff
Director: Bob Fosse

Manufacturer: Ritek Digital Studios
MPAA Rating: R for (language, drug use, sexual dialogue, and nudity)
Run Time: 01h:51m:13s
Release Date: April 16, 2002
UPC: 027616874863
Genre: drama


Style
Grade
Substance
Grade
Image Transfer
Grade
Audio Transfer
Grade
Extras
Grade
A AB+B D-

DVD Review

Controversial comic Lenny Bruce, who flirted with fame in the early 1960s, drawing a cult following as much for his words as for the reactions they caused, died long before his time. His standup routines, which meshed crude language, razor sharp satire, and frank social commentary, seem relatively tame today. But 40 years ago, he was all but crucified for his teachings, arrested time and again for public indecency, driven to drugs and drink and bankruptcy. Lenny reveled in pointing out hypocrisy, challenging long-held social norms and beliefs, and refused to stop, despite the personal cost, until his myth-making death of a drug overdose in 1966.

"You know what a Jew really is? The one who killed our Lord. Although there should be a statute of limitations for the crime, because we're still paying the dues." - Lenny

Lenny, from acclaimed director Bob Fosse (Cabaret, All That Jazz), follows the rise and fall of Bruce's (Dustin Hoffman) career, from his first awkward gigs in trashy bars to his headlining shows at $1000 a week. The story is told in flashback structure, with characters from Lenny's life, from his wife Honey (Valerie Perrine), to his saint of a mother, Sally (Jan Miner), to his manager Artie Silver (Stanley Beck), offering their memories to an unseen interviewer. Throughout, Lenny is shown onstage, performing his comedy routines, offering commentary on the major events of his life—his work, like all great comedy, was born of pain, loss, and personal hardship.

"That's where the conflict starts. We all want for a wife a combination Sunday school teacher and $55 a night hooker." - Lenny

Dustin Hoffman inhabits his role like few other actors could, like he rarely would inhabit a role again. When he's on stage, his Lenny comes alive, a charismatic, enraged, fast-ranting fireball, and it's impossible not to cling to every word he says, to realize the truth, the pointed messages, in his "obscene" comic barbs. Nearly matching him, Valerie Perrine is totally authentic as Honey Bruce, his "shiksa goddess." Her love for Lenny, and all the joy and pain it brought her, is clear in every moment she is onscreen.

"I don't want your applause! No more love! Why aren't you two standing?" - Lenny

Fosse's cold, documentary-like direction does little to sentimentalize Lenny's life, nor should it. Fosse isn't interested in canonizing a saint; he's simply shedding light on the life of a controversial man. And if it seems that that light reveals no details, no answers, perhaps it is because there are none, because Lenny was nothing more and nothing less than a man driven by art—it was his reason to exist, his gift to the world, and that's all Fosse needs us to see.

Lenny Bruce and Bob Fosse were great friends in life; kindred spirits who had difficulty relating to the world outside of their troubled, genius minds. Lenny is Fosse's tribute to his friend, but it's also an homage to himself, a reflection of the pressures and demons that plague every true visionary, people so talented, the frail human soul cannot bear the weight.

"You need the deviant. Don't shut him up! You need him to tell you when you're blowing it. Don't take away my words!"" - Lenny

Rating for Style: A
Rating for Substance: A

 

Image Transfer

 OneTwo
Aspect Ratio1.85:1 - Widescreen1.33:1 - Full Frame
Original Aspect Ratioyesno
Anamorphicyesno


Image Transfer Review: This transfer is a very nice representation of Bruce Surtees' stark black & white photography. Source material is fairly clean, with just a few marks popping up here and there and a bit of film grain. Detail is pretty good for the most part, though some of the nightclub scenes seem a bit soft and hazy. I noticed no artifacting, though a few patterned shirts show a bit of the shimmer effect. An unmatted 1.33:1 print is offered on the flip side of this DVD-5.

Image Transfer Grade: B+

 

Audio Transfer

 LanguageRemote Access
MonoEnglish, Frenchyes


Audio Transfer Review: The sound mix offered is the original English mono, and it's suited to the film, though not the cleanest mono track I've heard. Dialogue is always clear, and usually sounds natural, but in some of the more intense scenes, loud shouts tend to sound rather harsh. What little incidental music there is, is presented with a decent amount of fidelity and never overpowers the other elements in the mix. I noticed and audible background hiss in only one scene (set in a diner).

Audio Transfer Grade: B

 

Disc Extras

Static menu
Scene Access with 16 cues and remote access
Subtitles/Captions in English, Spanish, French with remote access
1 Original Trailer(s)
Packaging: Amaray
1 Disc
2-Sided disc(s)
Layers: single

Extras Review: Sole extras include the trailer and subtitles in English, French and Spanish.

Extras Grade: D-

 

Final Comments

1974 was quite a year for film. Nominated for a Best Picture Oscar® along with Coppola's The Conversation and The Godfather: Part II, it's no wonder that Lenny failed to walk away with any awards. But Fosse's film is still as striking and funny as it ever was, and as bleak; an uncompromising testament to an artist willing to sacrifice himself to his craft.

 


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