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Image Entertainment presents
The Giant Gila Monster (1959)

"It is in these lonely areas of impenetrable forests and dark shadows that the gila monster still lives. How large the dreaded gila monster grows no man can say."
- Narrator

Review By: Rich Rosell   
Published: September 01, 2002

Stars: Don Sullivan, Lisa Simone, Fred Graham
Other Stars: Yolanda Salas, Shug Fisher, Jerry Cartwright, Beverly Thurman
Director: Ray Kellogg

Manufacturer: Ritek
MPAA Rating: Not Rated for (minor giant gila monster violence)
Run Time: 01h:14m:37s
Release Date: August 13, 2002
UPC: 014381976526
Genre: horror

Style Grade	Substance Grade	Image Transfer Grade	Audio Transfer Grade	Extras Grade
C+	B	B-	B-	C+

DVD Review

Just by the sake of its very name, the Gila monster seemed all but destined to become a horror star. How could anything named "monster" not eventually star in its own film, especially in the 1950s? The fact that the Gila monster, in reality, is one of only two species of venomous lizards, certainly didn't hurt either. This 1959 classic from director Ray Kellogg (The Green Berets) doesn't beat around the bush, or bother with vagueness, but implies rather directly, via the title, what the film is all about: The Giant Gila Monster. As Stan Lee would say: "'Nuff said."

Released the same year as Kellogg's other equally infamous mutant animal flick, The Killer Shrews, The Giant Gila Monster was, and still is, pure 1950s drive-in camp. For reasons that are never truly explained in the script (except for a passing comment about out-of-control pituitary glands), a bus-sized gila monster suddenly begins terrorizing a rural Texas town. A laid-back sheriff (Fred Graham) has to rely on a spiffy, clean-cut group of law-abiding hot-rodders, led by Chase (Don Sullivan), to save the day.

The shots of the title creature are your basic real-lizard-walking-through-miniatures variety, and those constitute the bulk of the Gila's onscreen antics. It lumbers slowly across tiny twigs and rocks, moving out in the open with the speed of an oversized snail. Kellogg does spice it up by including an unintentionally funny toy train crash, with the big lizard shuffling over the wreckage, as well as the film's signature shot of the beast thrusting his head through a barn wall during the big sock-hop scene.

Sullivan's Chase, adorned with cute French exchange student girlfriend Lisa (Lisa Simone), is a not just a squeaky clean mechanic, he's a singer, too. He is a typical 1950s teen hero, and Kellogg features a couple of opportunities for his star to croon some goofy ditties, most notably the Laugh, Children, Laugh song that he sings to his polio-stricken little sister. A chance meeting with big-time DJ Horatio Alger 'Steamroller' Smith (Ken Knox), whom he inadvertently saves from becoming Gila chow, guarantees the chance for Chase to belt out another tune or two before the credits roll.

I loved this film as a kid (though for different reasons than I do today), and it still retains some degree of campy innocence that plays like cinematic drive-in nostalgia for me. Of Kellogg's two forays into big beasts, I prefer The Killer Shrews (those things just seemed more savage and threatening than a waddling, speckled lizard), though The Giant Gila Monster does have some kind of weird charm to it.

Rating for Style: C+
Rating for Substance: B

 

Image Transfer

	One
Aspect Ratio	1.85:1 - Widescreen
Original Aspect Ratio	yes
Anamorphic	yes

Image Transfer Review: I seriously doubt that there is a pristine print of The Giant Gila Monster anywhere in the world, so the flaws in this 1.85:1 anamorphic widescreen can be accepted a little easier. There are plenty of nicks, specks and scratches, and that alone would normally earn a disc like this a C+ rating, despite it's age. Aside from the print defects, though, the black & white image quality itself is reproduced cleanly, and displays well-balanced contrast. The fact that Image has issued Kellogg's film in 1.85:1 anamorphic widescreen instantly bumps it up to a B-.

Image Transfer Grade: B-

 

Audio Transfer

	Language	Remote Access
Mono	English	no

Audio Transfer Review: The film's original mono track sounds pretty good here, with just some minor hiss at times. Dialogue is consistently clear, and those cornball Don Sullivan songs come across just fine, too.

Audio Transfer Grade: B-

 

Disc Extras

Full Motion menu with music
Scene Access with 12 cues and remote access
1 Original Trailer(s)
Production Notes
Packaging: Amaray
Picture Disc
1 Disc
1-Sided disc(s)
Layers: single

Extra Extras:

1. Images Journal Essay

Extras Review: Other than a theatrical trailer, the only additional extra is onscreen text of Cindy Hendershot's article Monster at the Soda Shop: Teenagers and Fifties Horror Films, which originally appeared at www.imagesjournal.com. Hendershot's piece isn't limited just to The Giant Gila Monster, and she examines (somewhat seriously) the presence of teen culture in American horror and sci-fi films of the era. Her article is an interesting read, though I suspect she might be over analyzing the perceived symbolism a bit.

The disc is split into 12 chapters, and features no subtitles. The front and back cover art has colorized images, but rest assured that this is the original black & white film print.

Extras Grade: C+

 

Final Comments

Fans of giant animal horror films will no doubt be pleased with Image's 1.85:1 anamorphic widescreen release of Ray Kellogg's drive-in classic The Giant Gila Monster; it was great to see this in it's original aspect ratio. This is an undeniably silly 1950s monster movie, but darn it, I still like it for what it is.

For what it's worth, though, I HATE the colorized images on the front and back cover of this disc.

 

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