the review site with a difference since 1999
Maksim Chmerkovskiy Will Return to 'Dancing With The St...
'The Good Wife' Cush Jumbo Tackles Comparisons...
'Class': 'Doctor Who' Spinoff Series Coming to BBC Thre...
'The Revenant' Trailer: Leonardo DiCaprio Seeks Revenge...
Will Trevor Noah Live Up To The Hype During Monday's 'D...
Watch Eddie Vedder, Beyonce Duet on Bob Marley's 'Redem...
'CSI' being laid to rest after 15 years ...
Big Brother Season 17 Finale Recap: Super Fan & Trombon...
Dancing With the Stars Recap: Bindi Irwin and Derek Hou...
Emmys 2015: Who should win Outstanding Lead Actor in a ...
Touchstone Home Video presents
"Do I listen to pop music because I'm miserable, or am I miserable because I listen to pop music?"
DVD ReviewI believe it is safe to say that I am a hard-core DVD collector. In just a little over a year, I have upgraded my TV and sound system—AND purchased over 200 movies, all for the sake of this silly little format. There is just something about being able to own a film. It is more than just having the ability to watch the actual "product" at any time. It is, essentially, taking a snap-shot of a particular moment in your life. For example, whether I know it or not, every time I put on Fox's animated Anastasia, I will think of seeing the film on a cold winter day with my family. That is why I can identify so well with the characters in High Fidelity, the film based on Nick Hornby's 1995 novel of the same name. They feel about music the way that I do about film.
Rob Gordon (John Cusack—Stand By Me, Pushing Tin, Grosse Pointe Blank) is the owner of one of the last vinyl-only music stores in the city. He and his two employees, Barry (Jack Black—The Cable Guy) and Dick (Todd Louiso—Jerry Maguire) are fanatical about music. They regularly engage in heated debates (well, if you call Dick screaming his opinion and anyone who will listen a debate) about the smallest musical questions; everything from "the top five track one, side ones" to "the top five songs about death" is an issue ripe for discussion. Too bad Rob didn't learn to show this kind of attention to his relationships with women.
To say Rob is unlucky in love would be an understatement. He has just broken up with his girlfriend of several years, Laura (newcomer Iben Hjejle) who wants more from the relationship then the perpetual child Rob provides. In order to deal with his emotional problems and draw some sense of deeper understanding from his scarred relationship history, Rob decides to examine, in depth, his (what else?) top five, desert island break-ups. During the course of the film, Rob confronts his past and decides if he has the courage to face the future. OK, that sounds cheesy. Basically, Rob has to decide if he wants to live a lonely and immature life or if he wants to bite the bullet, show some backbone, and do what it takes to make a relationship work. I can't say I envy him.
This film was very well directed by Stephen Frears. I have seen films that use a lot of the talk-to-the-camera technique before, and some of them don't come off too well—the "personal" aspect instead comes off as annoying. Here, however, it works great. The camera doesn't make a big deal of the changes, but switches from dialogue to monologue on-the-fly. Of course, a lot of the success is due to Cusack's performance. He gives Rob just the right mix of "nice guy" and whiner. Hjejle is good as well, especially considering that the part is rather underwritten. The performance you will really remember, however, is Jack Black as the insane music-guru Barry. Black (of "the greatest rock band of all time," Tenacious D) really goes all out to ensure that Barry reminds you of every annoying guy you've ever met. And it turns out that he is a darn fine singer as well. The rest of the supporting cast is outstanding as well, but Jack Black is the real stand-out here.
I have heard this film referred to as a "chick-flick." I feel I have to step in and say that that is probably the most inaccurate description of this film I can think of. It is the ANTI chick-flick. This film basically illustrates what goes on inside the mind of every guy when it comes to dealing with the opposite sex. Sometimes the stupid things Rob did were SO painful to watch because I knew that I, in the same situation, would do the exact same thing. I saw John Cusack on The Daily Show around the time of the film's release, and he said something that made a lot of sense. this is a movie that will make women leave the theater thinking, "So THAT'S why he does those things," and men leave thinking, "EXACTLY!"
An interesting tidbit...John Cusack's apartment in the film is actually the apartment of someone who attends my school. There was a big article about it in the university newspaper last year. Ah, a brush with fame (in a "six degrees" sort of way). Of course, I have to give props to any movie that features my beloved Chi-town so prominently. It was so cool to see Rob riding around on the accursed El trains (so called because they pass my window every 15 minutes, but that is beside the point).
Rating for Style: A
Rating for Substance: A
Image Transfer Review: Disney has been so kind as to grace High Fidelity with one of their elusive anamorphic transfers, and you must admit, when Disney does things right, they really do them right. Even without the benefit of anamorphic display, however, there is no doubt the image here is top-notch. Black level and color contrast are excellent, and there is minimal (if any) shimmer or edge enhancement present. Discs like this just make me wish Buena Vista would commit to across-the-board anamorphic transfers.
Image Transfer Grade: A
Audio Transfer Review: The audio for High Fidelity is impressive as well̬it goes far beyond the usual front heavy comedy mix. That is not to say that there are a lot of surround effects—everything is still mostly in the fronts (dialogue is always clean and clear), but the music uses the full range of speakers to fine result. There are actually some pretty impressive things going on in the surrounds during the rain sequences, too. A very nice mix from Disney.
Audio Transfer Grade: A
Disc ExtrasStatic menu
Scene Access with 29 cues
Subtitles/Captions in English, Spanish with remote access
1 Original Trailer(s)
9 Deleted Scenes
Extras Grade: B
Final CommentsI have always had a soft-spot for John Cusack's 1980's teen films, and High Fidelity seems like an extension of the characters he played in Better Off Dead and Say Anything. Like his last major project, Grosse Pointe Blank, Cusack has once again helped to create one of the most unique and affecting romantic-comedies of the decade.
High Fidelity, made less than $30 million at the box-office, was not the hit Disney was hoping for. Hopefully, the fine DVD they have put together for the film will expose it to a bigger audience.
|Become a Reviewer | Search | Review Vault | Reviewers
Readers | Webmasters | Privacy | Contact