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04/15/2021 | ||||||
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WinStar Home Entertainment presents "In the infinite universe, there is no possibility of event, only the certain reality of all events. Everything exists."
DVD ReviewThe concept which forms the excuse for this disc is that an alien race of planetary travelers, the Phleig (appropriately pronounced "flake") finds a gateway world which leads to a shift of consciousness and an entry point to realities beyond. The entire film is computer-animated, and consists of nothing but alien scenes which morph from one to another. If one thinks of the stargate sequence of 2001, extended to 40 minutes but not as well done, you will have a fair idea of what to expect from this film.While I am a fan of animation, including computer animation, I found this film an extremely tedious exercise. One abstract picture after another is not a satisfactory viewing experience, especially since nothing stays still long enough to get a very good look at it. In fact, the animation is not particularly good: some scenes are jerky and obviously computer manipulated, and many scenes have heavy pixelation, with clearly digital edges. In all, the project comes off as pointless, narcissistic obsession. The creators seem to be devoted to seeing how many morphs after another they can create, without any visible point or progression. One of the real howlers is the credit for "original craft concepts", since they are nothing more than garden variety flying saucers. Somebody must like this material, since Infinity's Child is a sequel to a similar film, Planetary Traveler. I haven't seen that film, but judging from its trailer, which is included on this disc, the animation on the second film is a good deal superior to the original. Two overly long trailers for Infinity's Child are also included. Even though the film is only 40 minutes in length, it seems a good deal longer. I found myself constantly checking the time remaining on the disc only to be horrified to realize there was still much more to go. Perhaps this is what they mean by a bending of consciousness; I know that my life would seem much, much longer if I had to watch this every day. Rating for Style: C Rating for Substance: D- Image Transfer
Image Transfer Review: As noted above, there is heavy pixelation, and there is a fair amount of moiré effect at times. Considering how absolutely perfect computer animation can be (such as A Bug's Life or Antz), this effort seems amateurish by comparison. The one saving grace is that the colors are eye-poppingly beautiful and vivid throughout. Those who can spend hours with a kaleidoscope probably would enjoy the image. Image Transfer Grade: D+ Audio Transfer
Audio Transfer Review: The music, like the animation, is all electronically generated by Paul Haslinger, who apparently was once associated with Tangerine Dream. This music has the same flavor as that band's music, a monotonous, amorphous, electronic haze. The audio transfer has significant problems. There are several brief audio dropouts, and the 5.1 track, in particular, is unlistenable, with a muddy, boomy bass. The stereo 2.0 track is less annoying and at times is even pleasant. However, there's not much substance here, which is fitting for the film that it's married to. The only dialogue is a brief voiceover at the beginning and the end; the first sets up the supposed situation in a few sentences and the closing includes the meaningless and murky meanderings quoted above. Audio Transfer Grade: D Disc ExtrasAnimated menu with musicScene Access with 6 cues and remote access Subtitles/Captions in Japanese , French, Spanish, German, Korean with remote access 2 Original Trailer(s) 1 Other Trailer(s)Packaging: Amaray Picture Disc 1 Disc 1-Sided disc(s) Layers: single Extra Extras:
The best extra is the gallery presenting several dozen images of the concept art, digitally created by Bill Ellsworth. It is nice to be able to actually look at some of this interesting abstract art without it being morphed elsewhere to no purpose. Extras Grade: C Final CommentsThis disc is best reserved for devotees of "trip films" and people who find the motion of lava lamps deeply significant and profound. |
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