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Universal Studios Home Video presents
Doom: Unrated Extended Edition (2005)

"Search and destroy. Orders received and understood."
- Sarge (The Rock)

Review By: Mark Zimmer   
Published: February 05, 2006

Stars: Karl Urban, The Rock, Rosamund Pike
Other Stars: Raz Adoti, Deobia Oparei, Ben Daniels, Richard Brake, Dexter Fletcher, Al Weaver, Brian Steele, Doug Jones, Robert Russell
Director: Andrzej Bartkowiak

Manufacturer: Deluxe
MPAA Rating: Not Rated for (extreme violence, gore, language, brief nudity, drug use)
Run Time: 01h:52m:37s
Release Date: February 07, 2006
UPC: 025192031229
Genre: action

Image Transfer
Audio Transfer
B+ BC-A B-

DVD Review

The computer game Doom was epochal in many ways in the industry, not least of all for its atmospheric character as well as its nonstop splatter graphics. One of the most purely cinematic games, this classic first-person shooter seems like a natural for translation to the big screen. The film adaptation doesn't disappoint, and although it's setting the bar awfully low one can say that it's easily one of the best video game adaptations.

In the year 2046, a mysterious portal to Mars is being used by an archaeological expedition. But things have gone terribly wrong, and the Rapid Response Tactical Squad, led by Sarge (The Rock) and John "Reaper" Grimm (Karl Urban), must go to Mars and deal with the unnatural threat that has been released before it can make its way back to Earth. Complicating matters is the fact that one of the scientists on the project is Reaper's sister, Samantha (Rosamund Pike). Once the RRTS arrives, it's nonstop action as Imps, vile half-human creatures, systematically destroy and possess the members of the squad one by one.

One doesn't expect much from the game/film genre, but what you do expect is graphic violence, and lots of it. This adaptation has the good sense to know its target audience well, and the guns are blazing throughout. Many aspects of the original game can be found here, such as the chaingun, the chainsaw and of course the legendary BFG, wielded by The Rock. The creature design is derived from the Doom3 game, with its more lurid and nightmarish monsters, but pleasantly heavy reliance has been placed on guys in monster suits rather than CGI. That's not the only surprise in store, but it is certainly a welcome one at a time when most sci-fi seems to be nothing but blue and green screens.

If ever anyone was born to play the first person, Sarge, of this first-person shooter it was The Rock. He captures the look and the killing intensity nicely, and gets a few moments where his facial expressions mimic those of Sarge in the game (especially his glee at picking up the BFG). Karl Urban (The Lord of the Rings: The Two Towers) gives a surprisingly varied performance as he comes into conflict with Sarge, torn between devotion to his sister and disgust at the revealed secret about what has really been going on at the Martian station. Rosamund Pike (former Bond Girl from Die Another Day) is here mostly for eye candy, but she puts a lot into her role and comes off as a fairly credible scientist, not afraid to get her hands dirty (or gory, as the case may be).

The script makes a couple of token efforts at relevance, such as a brief and dramatic confrontation between the demands of morality and the necessity of soldiers to follow orders, which leads to a particularly effective segment. But really, this is a thrill ride, and director Andrzej Bartkowiak (best known as a cinematographer) keeps that concept in focus all the time. One of the highlights is a nifty setpiece that re-creates the FPS viewpoint of the original games, with its dizzying camera and frenetic sense of monstrous things erupting from behind every corner. Although a full five-minute version is included in the extras, that tends to lose intensity after a while; the version in the film is a good deal tighter and works very well. As in the rest of the film, the action is relentless, the violence is over the top (sometimes ridiculously so), and the atmosphere is utterly creepy. It would be hard to make a film about monsters roaming in dark hallways not be tense, but the creators do a good deal more than manage not to mess things up, which is considerably better than one usually finds in videogame-cum-motion pictures.

Rating for Style: B+
Rating for Substance: B


Image Transfer

Aspect Ratio2.35:1 - Widescreen
Original Aspect Ratioyes

Image Transfer Review: The anamorphic widescreen picture looks decent, which is impressive considering how dark the picture is throughout and how incredibly minuscule the bitrate is (ranging from less than one to two mbps). Matters aren't helped any by cramming a two-hour movie, an hour of extras and a game level onto a single-layer disc. As a result, shadow detail is practically nonexistent, fine detail is lacking and textures are seldom present. It's a rather slipshod presentation that certainly would have been better with use of RSDL and higher bitrates.

Image Transfer Grade: C-


Audio Transfer

 LanguageRemote Access
Dolby Digital
English, French, Spanishyes

Audio Transfer Review: Where the picture is lacking, the audio doesn't stint at all. The 5.1 track is a sonic devastation, with plenty of active surround material, loud explosions and challengingly low LFE materials. It's frequently house-rattling, with jolting impacts mixed with quiet atmospherics. This will make a good audio demo disc, if not for video.

Audio Transfer Grade: A


Disc Extras

Animated menu with music
Scene Access with 20 cues and remote access
2 Other Trailer(s) featuring First Descent, Brick
6 Featurette(s)
Packaging: Unknown
Picture Disc
1 Disc
1-Sided disc(s)
Layers: single

Extra Extras:
  1. Xbox Game
Extras Review: Half a dozen featurettes total over 50 minutes of running time. The first, Basic Training, focuses on military advisor Tom McAdams and his training of the cast; apparently the toughest part was getting the cast not to flinch when they fired their guns. Rock Formations looks at the makeup process and prosthetics worn by The Rock, focusing on the old school techniques being used, right down to spirit gum. Similarly old school are the materials in Master Monster Makers (10m:55s), which looks at the Stan Winston group and their practical effects work on the film. First Person Shooter discusses the filming of the centerpiece segment and includes the full five-minute version. Doom Nation covers the history of the game from its shareware beginnings to the state-of-the-art work on Doom3. Things get a little eye-rolling as the people from Id Software talk about the awesome responsibility involved in making a Doom sequel. The last featurette gives some handy tips for staying alive in Doom3, but mostly the piece just serves to scare the viewer. Finally, there's a demo layer culled from Doom3, supposedly playable in Xbox machines (it's not clear whether it's Xbox 360 compatible). However, when I tried playing our screener in my Xbox it was unable to recognize the disc, so don't get your hopes up. Otherwise, it's a solid package of material, though it's almost all presented in nonanamorphic widescreen (the FPS segment is in full anamorphic mode).

Extras Grade: B-


Final Comments

Perfect for that High Body Count Night, Doom contains plenty of splatter, horror and atmosphere. The transfer could be better, but there are quite a few interesting extras.


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