Warner Home Video presents
Corpse Bride (2005)
"He's not my boyfriend, he's my husband."- The Corpse Bride (Helena Bonham Carter)
Stars: Johnny Depp, Helena Bonham Carter
Other Stars: Emily Watson, Christopher Lee, Tracey Ullman, Paul Whitehouse, Albert Finney, Joanna Lumley, Michael Gough, Jane Horrocks, Deep Roy, Danny Elfman, Richard E. Grant, Enn Reitel, Stephen Ballantyne
Director: Tim Burton, Mike Johnson
MPAA Rating: PG for some scary images and action and brief mild language
Run Time: 01h:17m:05s
Release Date: 2006-01-31
DVD ReviewIt's sort of strange that oddball hipster Tim Burton goes back to similar stomping grounds with the stop-motion animation of Corpse Bride, a film that seems at first glance like an extension of The Nightmare Before Christmas. In fairness, Nightmare was actually directed by Henry Selick, though it is casually considered a Burton film at heart, incorrectly or not. The whole process of stop-motion almost seems archaic as a methodology, which makes watching a film like this all the more amazing to look at.
The time consuming mechanics of the way this one was put together may seem to be much the same as Nightmare. But this is a much different film in tone, a little less dark, though filled with more than its fair of walking, talking skeletons. Set in a gloomy 19th-century European village, Burton go-to guy Johnny Depp voices Victor Van Dort, a slightly trod upon young man who is all but forced to take part in an arranged marriage to Victoria Everglot, voiced by Emily Watson. It seems Emily's parents (voiced with oily wickedness by Joanna Lumley and Albert Finney) are selfish oafs who have a major cashflow problem, and are looking to marry their daughter into money for their own greedy reasons, even to a "new money" family of fishmongers like the Van Dorts.
But poor Victor is a bit of a milquetoast, and when he scurries off to the local cemetery to desperately practice his vows, he inadvertently places the wedding ring on the skeletal finger of the titular character (voiced by another Burton vet, Helena Bonham Carter), mistakenly thinking it's only a twig. When his new bride rises literally out of the ground, Victor has to deal with not just life above ground, but below as well. And it's the below ground world where the film bursts forth with color, the intentional opposite to the icy blues and deep shadow of the unpleasantly gloomy world of the living. They might be skeletons, but they're really just what inevitably becomes of us all, and they seem to have adjusted to it just fine. In fact, it looks like a lot of fun.
This isn't a particularly long film, clocking in at just over 70 minutes, though the plot works this time efficiently, and the story of Victor's accidental marriage is very, very lean. The stop-motion animation is exceptionally fluid and mesmerizing, from secondary characters on through the leads. Danny Elfman, as some sort of skeletal troubadour, croons a key song that fills in a lot of background in short order, and the screenplay from another frequent Burton collaborator, John August (Charlie and the Chocolate Factory, Big Fish), and Pamela Pettler keeps the momentum moving forward at a quick clip. One of the things I was most pleased about was how the character of Emily—Victor's spurned human bride—is not painted as a shrill harpie or bloated she-beast. Those hackneyed tricks (often seen in a number of live-action features) would have made Victor's dilemma much less emotionally threatening, and instead Emily is seen as a quiet, gentle sort, much like Victor.
Neat little details—such as the piano with the Harryhausen nameplate in homage to the king of stop-motion—are subtle and smart, far from being simple, broad strokes of "aren't we clever?" smarminess. It's clear that Burton and his team must, on some deep level have some genuine attachment to this painstaking art form. Nightmare did much to reawaken this old school methodology, and while I still prefer that film's music and innocently menacing characters, Corpse Bride represents one of the benchmarks of the technical process. And considering the subject matter, it tells a rather sweet story, as well.
Rating for Style: A+
Rating for Substance: A-
|Aspect Ratio||1.85:1 - Widescreen|
|Original Aspect Ratio||yes|
Image Transfer Review: The film is presented here in 1.85:1 anamorphic widescreen, and as you might expect for a stop-motion animated title shot on digital media, the transfer is simply spectacular. Detail is razor sharp, even down to the smallest level, and the image quality is sharp and immaculate across the board. Black levels are completely rock solid throughout, with quite revealing shadow depth. Colors are used minimally (at least until the visit to the land of the dead) and the dominant cold blues and metallic silver tones look properly gloomy.
Use this one to show off that new big screen of yours.
Image Transfer Grade: A
|English, French (Quebec), Spanish||yes|
Audio Transfer Review: As with the image transfer, the Dolby Digital 5.1 surround track is truly impressive and immersive, offering a manically aggressive mix that isn't shy about using those rear channels or the sub often and to great effect. Directional movement is constant and very active, bass is deep and loud, voice clarity is superb and yet another Danny Elfman score comes close to making one forget to listen to the dialogue.
There are also Dolby Digital 5.1 subs available in Quebeçoise French and Spanish.
Audio Transfer Grade: A+
Disc ExtrasAnimated menu with music
Scene Access with 24 cues and remote access
Subtitles/Captions in English, French, Spanish with remote access
1 Original Trailer(s)
1 Other Trailer(s) featuring Charlie and The Chocolate Factory
Isolated Music Score with remote access
- Music-only track
Not necessarily a making-of, but fascinating in its own right is The Corpse Bride: Pre-Production Galleries (13m:27s) segment, a narration-free piece set to Elfman's original score showing test footage of the various characters and their stop-motion mechanics at work.
A nice plus is the availability of a music-only track, offering the option to play the film with only Danny Elfman's score, presented in Dolby Digital 5.1 surround. Personally I'd love to see more DVDs with a separate score audio track, especially one as fun as Elfman's.
The disc is cut into 24 chapters, and features optional subtitles in English, French or Spanish.
Extras Grade: B+
Final CommentsTim Burton returns to the realm of stop-motion animation for another go round where the dead seem like more fun than the living. The handful of songs aren't quite as good as in The Nightmare Before Christmas, but the humor is dark, Danny Elfman's score is no less bubbly and high-spirited, and the whole experience is fun from start to finish. The stellar audio and video transfers only seal the deal on this one.
Rich Rosell 2006-03-09